Performing where the craft keeps its headquarters
London audiences have a higher baseline than almost anywhere: the city has hosted table magic for over a century, the craft's oldest institution sits here, and a surprising number of dinner guests have an opinion about it. That literacy is an advantage — a room that knows what good looks like is a room worth performing for.
The material is chosen live. A table of gallerists in Fitzrovia wants a different piece from a table of fund partners in St James's, and reading which is which is most of the job. What stays constant is the standard: at eighteen inches, with borrowed objects, the work is clean or it is not.
London's venues are this format's natural habitat — private dining rooms, clubs with amplification rules, townhouses, restaurant back rooms. Nothing is needed from any of them, which in a city of listed buildings is worth more than it sounds.
Matteo has performed close-up among the tables of a private members' club in Mayfair, and works across the city's calendar in English, Italian and Hungarian.