How a booking works
Most people asking what it costs to hire a magician are really asking three questions at once: is my date free, what would he actually do, and what will it do to my budget. All three are answerable in one exchange, and none of them need a phone call to start.
Send the date, the city and roughly how many guests. That is enough for a firm figure and an honest answer about availability — the date either exists or it does not. Everything after that is shaping: which part of the evening, how long, whether the room wants close-up moving through it or a seated piece that stops everything for twenty minutes.
What arrives on the day is one person, dressed for your event, who has already spoken to whoever is running the timeline. No equipment to load in, no stage to build, no soundcheck to schedule, no rider. For a planner, this is the least demanding line item on the sheet, and that is deliberate.
Fees are quoted per event, not per hour. This is not a pricing trick — it reflects what is actually being bought. A performer who is present across an evening, reading the room and choosing moments, is doing something different from one who delivers a 45-minute set and leaves. Hourly framing prices the wrong thing.