The Budapest corporate evening
A large share of Budapest's corporate calendar is written abroad. The city is one of Europe's most-booked incentive destinations: a group flies in for three days, and somebody in a head office in Munich, Milan or London has to fill one gala evening in a room they have never stood in, for guests who do not share a first language.
That evening is where entertainment is usually chosen badly. A band fills the room with sound and stops conversation; a comedian works in one language and in one culture's references; a stage act needs a technical rider the venue has to approve. Close-up magic solves all three at once — it moves through the reception while people are still arriving, it plays to five people at a time, and it needs nothing from the building.
For the seated part of the night, a mentalism set piece gives the room a shared twenty minutes without turning the evening into a show. It is the pivot between dinner and whatever comes after, and it is the piece people describe to colleagues the following week.
Matteo works the venues these programmes actually use — the international hotels along the Danube and Andrássy út, the palace salons, the rooftop bars — and has performed at W Budapest, the Four Seasons Hotel Budapest, Matild Palace and the Budapest Marriott.