Corporate event entertainment in Miami has to compete with the city itself — the venue, the view and the guest list are already doing work. Matteo Cammisa performs close-up magic and mentalism at Miami conferences, client evenings and launches, in formats that need no stage, no sound and usually no runtime.
Companies bring events to Miami precisely because the setting does half the job. The rooftop, the water, the weather in February — none of that needs help. What it does not solve is the part every organiser actually worries about: a room of delegates who flew in that morning, know two people each, and are standing in a widening circle around the bar.
That first hour is where entertainment earns its place here, and it is also the hour with no programme in it. A performer moving through an arrivals crowd turns a group of six into a group of nine, and three of those nine came from a different office.
The second slot is the client evening — smaller, higher stakes, and with the specific dynamic that everyone in the room knows they are being sold to. Something genuinely surprising resets that, and gives the account team something to talk about that is not the account.
Most planners reach this page with a shortlist rather than a booking, and the useful question is not which format is best but which one the evening actually has room for. Entertainment that works at conversational distance needs no stage, no sound system and no slot in the running order, which is why it tends to survive the version of the schedule that gets cut. The other formats on the shortlist each come with a requirement: a band needs a stage, a sound system and a slot in the running order; a DJ needs the room to be past its formal part; an emcee needs something to host.
Miami's calendar also has its own shape. Art week, boat show, F1 race week and the January-to-April corporate season all compress demand into specific weeks, which is the honest argument for asking about a date early rather than a sales tactic.
Matteo moves through the room during drinks or dinner and performs for small groups at a time. No stage, no microphone, no soundcheck — the whole show happens at arm's length. Typically booked from 30 minutes to two hours, sized to the cocktail hour or the dinner it covers.
From $2,500
A seated, focused piece for the full room, built around thought, choice and influence rather than props. Runs 20 to 30 minutes and works as the pivot between dinner and the rest of the evening.
From $3,000
A full theatrical set for a seated audience, with close-up work projected live to screen where the room is large enough to need it.
On request
Nothing to fail: no stage build, no audio, no lighting cue, no rider, no technical rehearsal. On a rooftop or a boat, where the production schedule is already the hardest part of the event, this is a line item that cannot delay anything.
It can be added late and it survives cuts, because it works in intervals — arrivals, breaks, the gap before dinner — rather than asking for runtime the agenda does not have.
Matteo is available for Miami corporate events year-round — from Brickell client evenings to Miami Beach receptions — with the whole of South Florida in reach.
Matteo Cammisa is a member of The Magic Circle in London, of FISM — the international federation of magic societies — and of the Society of American Magicians. Twenty years of performing, more than 500 events, over 30 countries.
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No performer can honestly award themselves that title, so the useful answer is the checkable record. Matteo Cammisa is a member of The Magic Circle in London, of FISM and of the Society of American Magicians; he has performed at more than 500 events across 30-plus countries; he held the resident magician position at Kiki on the River in Miami from 2023 to 2026; and his Florida corporate work includes Heineken USA and the Netevia conference at Seminole Hard Rock. Weigh that against any other shortlist rather than taking anyone's word for the superlative.
Entertainment that fits the intervals rather than demanding a slot. Miami corporate programmes are usually built around a venue and a view, with a full agenda and a tight AV schedule. Close-up magic and mentalism need no stage, sound or runtime, so they occupy the arrivals hour and the service gaps — the parts of the evening that would otherwise look after themselves badly.
Close-up magic and mentalism own the arrivals hour and the gaps between courses. Matteo Cammisa was resident magician at Kiki on the River in Miami from 2023 to 2026, is a member of The Magic Circle, and has performed at Heineken USA and Miami F1 race-week events. This is the part no other format reaches: the queue at the bar, the gap between courses, where guests are standing in small circles and the agenda has nothing scheduled. The other formats each own a different part of the evening — a live band or duo or a DJ carries the room once the formal part is over and people are ready to stand and talk loudly, and an emcee holds an awards or presentation segment together, with a photo or brand activation the other common choice. Most Miami programmes that work well use two of these rather than one — something for the room, and something for the intervals.
They solve different problems, so they are not really alternatives. Live music fills a room and sets the energy after the formal part; it needs a stage or a corner, a sound system, power and a slot in the running order, and it does not help during arrivals while guests are still finding each other. Close-up magic and mentalism need none of that and work best in exactly that gap — moving between small groups, at conversational distance, without runtime. If the budget allows only one and the evening is a seated dinner or a conference reception, the interval format usually earns more of the night; if it is a party with dancing, the music is the priority and a performer covers the hour before it starts.
Yes, and these are common Miami settings. There is no stage, no power requirement and no equipment to move, so venues that make a staged act difficult are straightforward. On a moving boat this is effectively the only workable format.
Miami's corporate calendar peaks from art week through F1 race week, and those weeks book out early — for a date inside them, three to six months is comfortable. Outside the peaks, much shorter notice is often fine — one message settles whether the date exists.
Bookings start from $2,500. The figure moves with the format, the length of the evening, the number of guests and where in the world the event is. Fees are quoted per event rather than per hour, because what you are booking is presence across a window of the evening, not a block of stage time. Tell Matteo the date, the city and roughly how many guests, and you will have a firm figure within 24 hours.
For a specific date in high season, three to six months is comfortable. Shorter notice is often possible and worth asking about: dates open up, and Matteo holds a small amount of the calendar for late corporate bookings. The honest answer is that the date either exists or it does not, and one message settles it.
Send the date, the city and roughly how many guests. You will have availability and a firm figure within 24 hours.
Prefer to message directly? WhatsApp · management@matteocammisa.com
