Brand Collaborations · Co-Created Content · Worldwide
Matteo Cammisa builds magic and mentalism around a brand's product, performs it, and releases it to an international luxury-lifestyle audience — 1.2 million followers across platforms. The brand keeps the footage.
A Member of The Magic Circle and FISM. 500+ events across 30+ countries, in English, Italian and Hungarian.
Joy Island Signature Show
Joy Island, Maldives
Hotel du Lac Performance
Lake Garda, Italy
Bvlgari Resort Bali
Bali, Indonesia
Lua Resort Birthday
Lua Resort
A collaboration here is not a post about a product. The product is built into the method — it is what vanishes, what is predicted, what turns out to have been in the guest's own pocket the whole time. The viewer cannot get the payoff without watching the brand.
That is the entire mechanism, and it is why this content behaves differently from an ad read or a styled flat-lay: attention is not requested, it is owed. The audience stays because they want to know how it ended.
The product becomes the method. A watch, a bottle, a car key, a handset — the object the campaign is about is the object that does the impossible. Nobody skips the ad when the ad is the trick.
Live performance at the launch, filmed as it happens. Guests get the experience, the brand gets the footage, and the room fills with people recording the moment on their own accounts.
A run of pieces built around one idea rather than a single post — released across a launch window, so the brand appears more than once in the same audience's feed.
Trade shows, congresses, hospitality, race weeks. The brand's own event becomes the set — content produced on site, in the brand's environment, with the brand's guests reacting.
Magic content is watched to the end because the viewer needs the ending. That is the one thing a brand cannot buy with production value: a reason not to swipe.
The camera is not on the product, it is on the face of the person holding it. Genuine astonishment is the hardest thing to fake and the easiest thing to recognise.
There is no punchline to localise. The same piece plays in Milan, Miami, Budapest and Dubai — which is what an international audience across 30+ countries actually requires.
The brand keeps the footage. A collaboration produces assets for the brand's own channels, paid media and internal use — not just one post on someone else's grid.
Matteo has created content and performed for hotel and luxury brands including BVLGARI, Ritz-Carlton, Four Seasons, W Hotels; for Formula 1 drivers including Fernando Alonso, George Russell, Pierre Gasly and Kimi Antonelli; and at brand activations and five-star venues from Milan to Miami — including the Italian actor Michele Morrone and chef Enrico Cerea of the three-Michelin-starred Da Vittorio.
What is launching, who it is for, and what the campaign has to achieve. Share the product and the window — you get a concrete concept, not a rate card.
The effect is built around the product, not borrowed and re-labelled. This is the part that cannot be outsourced: the method has to fit the object.
On location, at the launch, or in a controlled set — filmed professionally, with the brand's approvals built into the day rather than chased afterwards.
Published to 630,000+ followers, tagged and coordinated with the brand's own calendar. The brand receives the raw and finished assets for its own use.
Spirits, watches, automotive, fashion, hospitality, travel and premium technology — categories whose audience overlaps with a luxury-lifestyle following across Europe, the United States, the Middle East and Asia.
If the register does not match, the collaboration will not perform — and you will be told that rather than sold it.
Co-created content: Matteo builds a magic or mentalism piece around a brand's product or campaign, performs it, and publishes it to an audience of 630,000 on Instagram and 1.2 million across platforms. The brand receives both the audience reach and the finished assets for its own channels.
630,000+ followers on Instagram (@matteo_cammisa) and 1.2 million across all platforms — an internationally mobile, affluent audience spanning Europe, the United States, the Middle East and Asia. Individual pieces have passed 500,000 views.
Hotel and luxury brands including BVLGARI, Ritz-Carlton, Four Seasons, W Hotels. He has performed for Formula 1 drivers including Fernando Alonso, George Russell, Pierre Gasly and Kimi Antonelli, for the Italian actor Michele Morrone at a Milan brand activation, and for chef Enrico Cerea of the three-Michelin-starred Da Vittorio.
Yes — usage is agreed in the brief. A collaboration is designed to produce assets the brand can run on its own channels and in paid media, not only a post on Matteo's grid. Exclusivity, territory and duration are set per campaign.
The audience is a luxury-lifestyle audience, so the fit is strongest for brands whose positioning matches — spirits, watches, automotive, fashion, hospitality, travel and premium technology. If the register does not match, the collaboration will not perform, and Matteo will say so rather than take it.
Every campaign is quoted individually against the brief — scope, usage rights, exclusivity and the release window all move the number. Some collaborations run as a fee, some as a partnership, some as a hybrid. Share the campaign and you will have a proposal within 24 hours.
As early as the launch date is known. Concept development is the part that takes time — the shoot itself is fast. Matteo works from seasonal bases in Milan, Budapest and Miami and travels worldwide, so location is rarely the constraint; the calendar is.
You will have a concept and a proposal within 24 hours — not a rate card. Matteo works with brands directly and through their agencies.